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Most designers learn their craft in the ateliers of more seasoned masters, but shoe designer Christian Louboutin found his calling as a 17-year-old apprentice in the dressing rooms of Paris’ famous cabaret the Folies Bergère. “I would watch the girls going up and down the stairs with these very heavy headdresses on, and they never looked at their shoes,” he says. “That’s where I learned that shoes are all about posture and proportion.”

Showgirls of all kinds–from Tina Turner to Nicole Kidman–are still an inspiration for Louboutin, 44, whose instantly recognizable red-soled stilettos have become de rigueur on the red carpet and among Hollywood’s A-list crowd. “He is the foremost shoe designer in the world,” says Valerie Steele, director of the museum at the Fashion Institute of Technology, where his designs were the subject of a recent retrospective, “Sole Desire.”

Louboutin spent the early years of his career designing shoes for some of fashion’s biggest names, including Chanel, Yves Saint Laurent and Maud Frizon. In 1992 he opened up his own shop at the end of a picturesque 19th century Parisian arcade. He still runs his business from that Rue Jean-Jacques Rousseau address, but now his shoes are sold in 46 countries around the world. He has 14 boutiques in cities such as New York, Los Angeles, Las Vegas and London, and he plans to open six more next year in places like Singapore, Jakarta and Beijing. He counts Oprah, Sarah Jessica Parker, Cameron Diaz, Katie Holmes and hundreds of other Hollywood stars among his loyal clientele.

Louboutin is just as solicitous of his less famous customers. At a recent personal appearance at Saks Fifth Avenue in New York City, he canceled his flight back to Paris in order to spend another two hours signing shoes. For a woman who confessed that she was “just a housewife,” Louboutin signed the sole, TO MY FAVORITE HOT HOUSEWIFE. A blushing bride asked him to sign her wedding shoes, and he grabbed a blue pen and wrote, HERE IS SOMETHING BLUE.

According to Saks’ fashion director’ Michael Fink, Louboutin’s shoes–which retail on average for $800–are one of the store’s top-selling brands. “It’s the mystique of the extremely sexy pump,” says Fink. “And, of course, the subtle branding of the red sole really helps.”

More than a cunning marketing concept, the red sole was a happy accident. While working on a prototype in his studio in his early designing days, Louboutin searched for a way to match the shoe to a colorful sketch. “Something was missing, and I couldn’t figure it out,” he remembers. “Then I realized that the black sole of the shoe was too dark.” So he grabbed a bottle of red nail polish from an assistant who was doing her nails nearby and painted the soles. “It didn’t take me long to learn from my customers that the red soles were very popular with men,” Louboutin says, laughing. “This red sole was a bit of a green light.”

While women have always been his predominant inspiration, Louboutin, a landscape and garden fanatic, often looks to nature for ideas. Starting out, he tried covering his shoes in fish scales. Another, more successful idea was embedding hydrangea petals in a clear silicone heel. He even tapped into the recycling trend with his “trash” shoes, which incorporated old métro tickets and café receipts in the heels. “He looks at everything,” says his close friend Diane von Furstenberg. “His shoes are like sculptures, objects, jewels.” But Louboutin knows that women’s most desired treasures are the ones they can wear.

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For women who love a perfect pair of heels, the French shoe designer Christian Louboutin is a gatekeeper to desire. Thankfully, he makes shoes — ultra-high stilettos, pumps covered in spikes, marzipan-colored lace-ups — that cater to almost any fancy. When it comes to his craft, Louboutin is unyielding. ‘‘When I design my summer collection, I must work in a hot place,’’ he says. ‘‘And I must be in a cold place when I design for winter.’’ This year he chose Brazil for the summer; his estate in the French countryside has no heat and is therefore ideal for wintertime. A consummate globe-trotter, Louboutin always packs light: ‘‘I only do carry-on.’’ But what about fanatics who can’t bear to part with their Louboutins when they travel? ‘‘My advice to them would be to ship the pairs before. That way, they can bring as many as they’d like.’’

High-end women’s shoes

If you’ve ever caught an episode or two of Sex and the City, you probably remember a reference or two to Manolo Blahnik or Jimmy Choo. Were one of those Mr. Big’s real name? Not quite, although Carrie Bradshaw was probably just as enamored of them as she was of her tall, dark and handsome boyfriend.

In reality, Manolo Blahnik is a Spanish shoe designer (his father was Czech, hence the very unSpanish name), and Jimmy Choo is a shoe firm headed by a British woman (although historically actually owned by a couture shoemaker whose original name was Jimmy Chow). Both have been the darlings of shoe lovers in recent years.

However, Sex and the City has come to a close, Carrie’s with Mr. Big, and women still want shoes. Really nice ones. So the question is, which of these designers is hotter? Which is making the trendier shoe? Which is cobbling the strappy sandals, slingbacks, stilettos and pumps that have women everywhere swooning?

Let’s take a look at the relative volume of searches for Mr Choo, Mr Blahnik and Mr Christian Louboutin, a French up-and-comer in the world of fine women’s shoes:

Let’s check the trends

In celebration of his achievements, New York’s The Museum at FIT is currently holding an exhibition of Christian Louboutin shoes entitled “Sole Desire – the Shoes of Christian Louboutin.”

With his instantly recognizable trademark red soles (no matter what color the shoe), an increasing number of A-list celebrities such as Kylie Minogue, Gwen Stefanie, Madonna and Jennifer Lopez are choosing a pair of Louboutin’s as their favorite red carpet accessory.

With boutiques in New York, Beverly Hills, Las Vegas, London, Paris and Hong Kong , women the world over crave the status that owning a pair of red-soled Louboutins bring. No longer just the footwear of fashion-conscious celebrities, since the late 1990s Louboutin has enjoyed unprecedented levels of popularity and today’s copycat celebrity culture has meant a great deal of media attention has been given to this much sought-after shoe.

Inspiration for Footwear

“Few designers have soared as quickly – and to such heights,” says Christianlouboutinshoesshop.com. Known just as much for his sexy fetish designs as his creations inspired by exotic destinations, Louboutin’s famous red soles were officially trademarked in January 2008 to discourage imitations.

Louboutin draws the inspiration for his collections from art, history and the world around him, including his own garden. Since a brief foray into landscape gardening in the ‘80s many of Louboutins creations are influenced by his passion for nature, flowers and trees. He admits needing to control his passion for flora and fauna, and concentrate on designing shoes.

10,000 years ago, deep in the caves of Oregon, early man produced the world’s first pair of shoes. The ancient shoes, made of woven bark, were nothing more than a shield from the elements. Tens of thousands of centuries later and halfway around the world, a young boy by the name of Christian Louboutin wandered into a gentleman’s night club in Paris and witnessed female nudity for the first time. Awestruck and enamored, the nude female form became Louboutin’s inspiration behind one of the biggest fashion empires to date.

During his teenage years, Louboutin often drew women’s shoes in his notebooks during school. Then, in 1979, he saw a billboard in Paris for the Oceanic Museum of Art. The billboard banned women’s stilettos from the museum, and Louboutin fixated on the sign’s 50s iconic image. As a result, he began to draw shoes with soft soles and smaller buckles, much like the ones he drew in his school notebooks.

Louboutin sought higher learning from the design schools of Chanel and Yves Saint Laurent. He initially worked at the universities, and then began working for Roger Vivier in 1988. While working for Vivier, Louboutin realized that his calling was to create women’s shoes. He worked as a landscaper for three years but returned to the fashion industry in 1992 with his own line of shoes. The solo artist created classic, timeless footwear that enabled women to reach bold new heights.

Louboutin first tried offering his shoes to women at parties, but the women claimed that the shoes were too expensive or that they had no money. Not to be deterred, he soon opened his first store, offering free coffee to his often-wealthy shoppers. Before long, retail giants like Neiman Marcus and American began to carry his designs as well. One evening, during a runway show, he realized that his shoes were incomplete. He spotted an employee’s red Chanel nail polish, and painted the soles of his footwear. The red sole still remains the trademark of the high-end shoes. Today, Louboutin has designed and opened 5 stores in the Unites States and several more boutiques across the globe.

Ten different hands touch each hand-made shoe. Louboutin sees a shoe as a human face, insisting upon the perfect proportion and proximity. Adornments are only additions, he has said, and they will never create the perfection but rather enhance it. Several years ago, Louboutin produced a bridal variation of his footwear, which featured blue soles. But due to trademark issues, he had to stop making them. His most expensive product was one that he created for a man and wife. The soles were encrusted with rubies, and their sole purpose was for the wife to wear them in the marital bed. One of his more notable styles, called “inseparables,” was born in the early nineties. The sought-after flats featured a left shoe with the letters “LO,” and a right shoe with the letters “VE.”

Louboutin’s work has achieved prominent notoriety within the media. Oprah Winfrey instantly became a fan of the shoes after seeing them in Tina Turner’s dressing room, describing the shoes as “little pieces of sculpture.” Musicians from Madonna to Carrie Underwood are fans, and Actresses Angelina Jolie and Nicole Kidman wear them as well. The rich and famous from Japan, Jordan and the United Kingdom also pay homage, while the average and anonymous can show support in the form of a Christian Louboutin manicure – a black manicure with red undersides. Even museums have constructed galleries to showcase the fancy French footwear.

Shoes have come a long way since their birth 10,000 years ago. No longer are shoes solely a means of protection. They make a statement, and the Christian Louboutin collection is no exception. From his creative beginnings in grade school to the fashion empire he oversees, his designs remain a step ahead of the rest. So much so, that fans of the sensational soles are often seeing red. Louboutin once said, “Designing my shoes, I’m thinking timeless. Not trendy.” He spoke with eloquence and truth. The Christian Louboutin legacy is here to stay.

Shoe designer Christian Louboutin thinks Barbie’s ankles are ”too fat” and has slimmed them down for the three special versions he has created of the iconic doll.

Christian Louboutin thinks Barbie’s ankles are “too fat”. The famous shoe designer has created three special versions of the iconic doll as part of her 50th anniversary celebrations but has decided her legs needed a little work. His spokeswoman said “They’re completely wild and even come with mini Louboutin boxes for the shoes. But he found her ankles were too fat.” Earlier this year, Christian – whose shoes retail for up to £1,500 – designed a pair of pumps in the legendary Barbie Pantone 219 Pink, with the shoes making their debut at a special runway show during New York Fashion Week in February. He said: “Barbie needs to wear great shoes because every girl needs to wear great shoes. I guess I always had a little ‘girlie side’ who liked Barbie.” Fans of Christian’s shoes – which have the famous red soles – include Victoria Beckham, Sarah Jessica Parker and Katie Holmes, whose three-year-old daughter Suri has several children’s pairs.